YEAR II  ·  No. 594  ·  SUNDAY, JULY 26, 2026

GENEVA --:--  ·  BOGOTÁ --:--  ·  ACIDREPORT v3.5
AcidReport

SERIES “THE STATE OF CRIME”

DOCUMENTARY SERIES · 11 EPISODES
FIRST EPISODE OUT 1 AUGUST

History of Zionism

Zionism needs neither another pamphlet nor another apologia. Archives exist, United Nations resolutions exist, entire libraries cite one another without anyone drawing a clear genealogy from them. Almost everything written on the subject falls into two equally comfortable outs, institutional apologia, which treats every state decision as an inevitable response to a threat with no actors and no alternatives, and conspiratorial fabulation, which replaces political analysis with ethnic suspicion and ends up blaming an entire people for what a congress, an army and a handful of named men did. This series offers neither. There is no essence here that explains anything. There is a political project born in a hall in Basel in 1897, sustained afterward by concrete institutions, and today embodied in decisions signed by identifiable people, with a title, a name, a biography.

El Estado del Crimen is an eleven-episode documentary series. It covers the period from the first Zionist congress in Basel, in 1897, to the military campaign in Gaza that a growing number of genocide scholars already consider consummated. It is neither an exhaustive chronology nor an opinion essay. It is a dissection. Each episode examines one link in the chain that turned a minority political movement into an apparatus of occupation, war and diplomatic lobbying protected for decades by its Western allies.

The arc has a recognisable shape, even as each episode holds its own findings. It begins with the genealogy of a political idea and the internal currents that disputed it from day one. It continues with the moment that idea becomes mandate, mass migration and statehood, dragging with it a founding war whose numbers are still disputed eighty years later. It moves through decades of territorial expansion and military consolidation into the present, an apparatus combining administered colonisation, transnational lobbying, security alliances and diplomatic impunity built layer upon layer. It ends where every power structure that believes itself beyond question ends, at the question of who, from within and from without, dares to name it. No empire calls itself an empire. No system of impunity calls itself impune. This series calls them by name.

Episodes are published every Saturday from 1 August 2026. This space gathers the complete index and is updated with each new release. Readers can enter at any point, but the logic of the series is cumulative, what is understood in episode eleven depends on what was built in the first.

G.S.

Methodological note

The sources for this series are official documents, judicial and diplomatic archives, reports from international organisations, cross-checked academic research and, where relevant, Israeli and Jewish sources critical of Zionism, explicitly cited as such. Where a claim could not be independently verified, it is flagged as such. The genocide designation applied to the military campaign in Gaza is presented as a reasoned, sourced conclusion, not as a fact already settled in law by the International Court of Justice, which as of this publication has only ruled on provisional measures. The series began publishing on 1 August 2026, with one episode every Saturday.

01
Basel, 1897, the birth of a political project

The first Zionist congress and the founding rift between currents the century never resolved.
1 August 2026 · coming soon
02
The ideological genealogy, from Ahad Ha’am to Jabotinsky

From cultural Zionism to the Iron Wall, the doctrine that governs Israel today.
8 August 2026 · coming soon
03
Balfour and the British mandate

An ambiguous sentence and three decades of colonisation under mandate.
15 August 2026 · coming soon
04
The Holocaust as accelerator, immigration and international legitimation

How the European extermination made a state project unquestionable, almost overnight.
22 August 2026 · coming soon
05
1948, the Nakba and the birth of Israel

The war, the UN partition and the Palestinian exodus that Israel documents and disputes.
29 August 2026 · coming soon
06
The wars, 1956-1973, territorial expansion and the victory of revisionism

Suez, 1967, 1973, and the political rise of revisionism.
5 September 2026 · coming soon
07
Colonisation, documented apartheid

The West Bank according to Amnesty International and Human Rights Watch.
12 September 2026 · coming soon
08
AIPAC and American lobbying

How it works, who funds it, what it buys in Congress.
19 September 2026 · coming soon
09
Foreign interference and alliances beyond the United States

Weapons, security cooperation and influence over European migration policy.
26 September 2026 · coming soon
10
Gaza, the genocide designation

The South African case before the International Court of Justice and Francesca Albanese’s reports.
3 October 2026 · coming soon
11
Dissenting voices and the balance sheet of impunity

From the Bund to B’Tselem, the Israeli sources documenting what power denies.
10 October 2026 · coming soon
Gabriel Schwarb

ABOUT THE AUTHOR

Gabriel Schwarb

Gabriel Schwarb was born between borders, grew up between languages and learned to read power before the books that claimed to explain it. A Swiss-Colombian writer, founder and editorial director of AcidReport — a trilingual outlet with no affiliation, no marketing and no sponsors, publishing from Switzerland in Spanish, French and English. He does not publish to please. He publishes to answer. Working in visual communication since 1997, he deliberately abandons aesthetic comfort to immerse himself in analysis, archival research and textual confrontation. He builds AcidReport as one builds an archive in times of ruin — with method, with urgency and with memory.

Writing from Switzerland, the geographical heart of global finance, about the peripheries that same finance organises is not a contradiction. It is the method. Distance does not produce neutrality; it produces perspective. His style is direct, analytical, stripped back — closer to dissection than to metaphor. His method combines rigorous source verification, archival research, OSINT and public correction of errors. For him, writing is not a literary aspiration. It is an instrument of analysis, a space for exposure and an exercise in lucidity before structures that prefer not to be named.

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